The early Latin alphabet adopted sigma, but not san, as Old Latin did not have a /ʃ/ “sh” phoneme. Northwest Semitic šîn represented a voiceless postalveolar fricative /ʃ/ (as in ‘ship’). If you need to assess your potential tax savings in a serious matter, we suggest that you contact professional tax advisors to assist you with this. However, we have provided this business tax calculator to give you a rough estimate of the types of tax savings your business could have if you incorporate. The Silesian orthography is based on the Latin alphabet.

• Similarly, Old High German ⟨sc⟩ was replaced by ⟨sch⟩ in Early Modern High German orthography.
• The Silesian orthography is based on the Latin alphabet.
• Recent borrowings tend to retain the original sounds.
• The Finnish orthography using the Latin script was based on those of Swedish, German and Latin, and was first used in the mid-16th century.

In some words of French origin, ⟨s⟩ is silent, as in ‘isle’ or ‘debris’. The ligature of ſs (or ſz) was retained; however, it gave rise to the Eszett ⟨ß⟩ in contemporary German orthography. In German orthography, long s was retained in Fraktur (Schwabacher) type as well as in standard cursive (Sütterlin) well into the 20th century, until official use of that typeface was abolished in 1941. In English orthography, the London printer John Bell (1745–1831) pioneered the change.

• The application does not take into account the California income taxes for founders.
• It is the most common letter for the first letter of a word in the English language.
• It existed alongside minuscule “round” or “short” s, which were at the time only used at the end of words.
• The same is generally true for doubled ss.

The same is generally true for doubled ss. Recent borrowings tend to retain the original sounds. /s/ is usually retained in recent borrowings from English (e.g. Sex), to a lesser degree also in recent borrowings from other languages (e.g. Salsa). For the origin of the letter, see s. See the Wikipedia article on Finnish for more information, and S for information on gross pay versus net pay the development of the glyph itself. The Finnish orthography using the Latin script was based on those of Swedish, German and Latin, and was first used in the mid-16th century.

Sound 1: /s/

The name samech, however, which through its Aramaic form became in Greek Σ (sigma), was applied to the letter that corresponded to Semitic sin and stood for /s/. In Portuguese, it may represent the voiceless palato-alveolar fricative /ʃ/ in most dialects when syllable-final, and ʒ in European Portuguese Islão (Islam) or, in many sociolects of Brazilian Portuguese, esdrúxulo (proparoxytone). In many Romance languages, it also represents the voiced alveolar or voiced dental sibilant /z/, as in Portuguese mesa (table). It also commonly represents a voiced alveolar sibilant /z/, as in ‘rose’ and ‘bands’.

It existed alongside minuscule “round” or “short” s, which were at the time only used at the end of words. Similarly, Old High German ⟨sc⟩ was replaced by ⟨sch⟩ in Early Modern High German orthography. “This place is the best seafood place around!

The Letter S: Sounds

It corresponds to the Semitic sin “tooth.” The Greek treatment of the sibilants that occur in the Semitic alphabet is somewhat complicated. In some Andalusian dialects of Spanish, it merged with Peninsular Spanish ⟨c⟩ and ⟨z⟩ and is now pronounced /θ/. The letter ⟨s⟩ is the seventh most common letter in English and the third-most common consonant after ⟨t⟩ administrative expenses and ⟨n⟩.

The original name of the letter “Sigma” may have been san, advance payment entry but due to the early history of the Greek epichoric alphabets, “san” came to be identified as a separate letter, Ϻ. Ancient Greek did not have a /ʃ/ “sh” phoneme, so the derived Greek letter Sigma (Σ) came to represent the voiceless alveolar sibilant /s/. There are, however, a few words in which ss may – optionally – be pronounced /z/ (e.g. Fussel, Massel, quasseln, Schussel).

The minuscule form ſ, called the long s, developed in the early medieval period, within the Visigothic and Carolingian hands, with predecessors in the half-uncial and cursive scripts of Late Antiquity. The Italic letter was also adopted into Elder Futhark, as Sowilō (ᛊ), and appears with four to eight strokes in the earliest runic inscriptions, but is occasionally reduced to three strokes (ᛋ) from the later 5th century, and appears regularly with three strokes in Younger Futhark. The shape of Latin S arises from Greek Σ by dropping one out of the four strokes of that letter. In Etruscan, the value /s/ of Greek sigma (𐌔) was maintained, while san (𐌑) represented a separate phoneme, most likely /ʃ/ “sh” (transliterated as ś). The Western Greek alphabet used in Cumae was adopted by the Etruscans and Latins in the 7th century BC, and over the following centuries, it developed into a range of Old Italic alphabets, including the Etruscan alphabet and the early Latin alphabet. Herodotus reported that “san” was the name given by the Dorians to the same letter called “Sigma” by the Ionians.

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To add S, s to a word list please sign up or log in. See the history of Polish orthography article on Wikipedia for more, and S for development of the glyph itself. Proposed in 1908 as part of the new Latvian spelling by the scientific commission headed by K. See the Kashubian alphabet article on Wikipedia for more, and S for development of the glyph itself. For the orthographic choice between ss and ß, see the latter.

Other Sounds

One of the top questions that clients ask is for real life example of how switching to a C Corp,  S corporation, or LLC could benefit them from a tax perspective. It is intended to give you a rough sense of the taxation for different entity types. The application does not take into account the California income taxes for founders. Calculate taxes for LLC’s, corporations electing Subchapter S tax treatment (S-Corps), and corporations not making Subchapter S elections (C-Corps). What’s the best tax treatment for your startup?

Ancestors and siblings in other alphabets

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Sound 3: /Ø/

The Polish orthography is based on the Latin alphabet. The Kashubian orthography is based on the Latin alphabet. Otherwise, pre-consonantal and word-final s is always pronounced /s/. Stem-initial st and sp are pronounced /ʃt/ and /ʃp/ in native words. Words from the classical languages and pre-1900 loanwords behave like native words. Single s in prevocalic position is pronounced /z/, except when it follows an obstruent within the word stem (e.g. Achse, bugsieren, Lotse, schubsen).

Semitic ssade appears in the early alphabets of Thera and Corinth in a form that represents /s/. The (angular) S-shape composed of three strokes existed as a variant of the four-stroke letter Σ already in the epigraphy of Western Greek alphabets, and the three and four strokes variants existed alongside one another in the classical Etruscan alphabet. S, or s, is the nineteenth letter of the Latin alphabet, used in the English alphabet, the alphabets of other western European languages and other latin alphabets worldwide. When doubled, the letter represents the unvoiced sound in all positions (e.g., in grasses, miss, and assess). These alphabets have no sigma, while those that have sigma do not have the Semitic ssade.

The Letter S: Uses

In most other positions, it remains unvoiced (e.g., in sing, save, speak, and aspect). This has become voiced in English when intervocalic (e.g., in houses and nose). In England in the 17th century a looped form was introduced, and this is occasionally still seen in handwriting when followed by another s. Etruscan had no rounded form, but it appears in Umbrian and Faliscan. The Semitic samech appears in Greek as Ξ (xi) with the value in early times of /ss/, later and more generally of /x/ or /ks/.

S Intermediate English

In the International Phonetic Alphabet, ⟨s⟩ represents the voiceless alveolar sibilant /s/. In the trigraph ⟨sch⟩, it represents a voiceless palato-alveolar fricative /ʃ/, as in ‘schon’. Due to yod-coalescence, it may also represent a voiceless palato-alveolar fricative /ʃ/, as in ‘sugar’, or a voiced palato-alveolar fricative /ʒ/, as in ‘measure’. In other Italic alphabets (Venetic, Lepontic), the letter could be represented as a zig-zagging line of any number between three and six strokes.

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